Teja Miholič

director + cinematographer
  1. Da bi človeštvo preživelo
  2. Izgubila sem vse svoje fotoalbume
  3. Nuklearna sila je najmočnejša sila na svetu
  4. Mesto žensk 2021

  1. Ondine
  2. Aller simple
  3. Sklece za Majano
  4. A ti spremenim ime?

2015 2021 ++
  1. Fukaj lokalne kurbice
  2. Nekdo v sosednji sobi se pogovarja ampak ne po telefonu, sam s sabo
  3. Kamni
  4. Gugl
  5. Glasujzame
  6. Random

2021 ++
  1. Na začetku in na koncu: jok
  2. Prijazni gospodar boža psičke

Object Int’l —
  1. A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.


Mesto žensk 2021

LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.

Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.